An Eclectic Eye
Selections from the Dan Leach Collection |
Tucson Museum of Art |
National Portrait Gallery Publications, 2001
BP Portrait Award 1990-2001 |
Martin Gayford |
National Portrait Gallery Publications, 2000
Painting The Century |
Robin Gibson, introduction
by Norbert Lynton |
Modern Painters, Spring 1997
Philip Harris |
Charles Saumarez Smith |
Museums and Galleries, March 1997
Contemporary traditionalist |
Marina Vaizey |
What's On, March 1997
Figure it out |
John Slyce |
Beaux Arts, Spring 1997
Philip Harris (catalogue) |
Text by John Russell Taylor |
University of Pavia, Italy.1997
La sospensione del registro narrativo:
L'immagine ambigua nella pittura di
Philip Harris. (Unpublished thesis) |
Guilia Marinoni Mirabelli |
Contemporary Art. Summer 1996
Artists of fame and promise |
John Russell Taylor |
Daily Telegraph, July 1995
Tying art up in knots |
Richard Dorment |
National Portrait Gallery, 1996
Report 1995/6 |
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Phaidon, 1995
Art Today |
Edward Lucie-Smith |
London Student, October 1993
BP Portrait Award winner |
Tanya Lipner |
Daily Telegraph, July 1993
Images from the spiritual void |
Richard Dorment |
London Evening Standard, June 1993
A triumph of youth |
Brian Sewell |
What's On, June 1993
Head and shoulders |
Simon Corbin |
Daily Star, June 1993
Oils not well for arty Phil |
|
U.K. Press Gazette, June 1993
Ungenitalmanly conduct |
|
Financial Times, June 1993
Winning portraits |
Bill Packer |
Art Review, March 1993
The naked and the dead |
Brian Sewell |
Artists and Illustrators, December 1992
Mixed media: profile |
Libby Anson |
London Evening Standard, May 1992
Opening a window on naked talent |
Brian Sewell |
What's On, May 1992
Philip Harris |
Mark Sladen |
De Staddaard, November 1991
Kunstbleurs lineart onjeker |
Jan van Hove |
Het Niewsblad, November 1991
Lineart de inflatie van de kunst |
Jan van Hove |
Art Review, June 1991
BP Portrait Award |
Marie Ann Beaumont |
City Limits, June 1991
Philip Harris |
Rosanne Negrotti |
London Evening Standard, June 1991
New faces, old ghosts |
Brian Sewell |
Guardian, March 1991
Critic's choice |
Tim Hilton |
What's On, August 1990
In focus |
William Cook |